Review: Bruce Willis’ New Crime Thriller Is A Total Dud

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Review: Bruce Willis’ New Crime Thriller Is A Total Dud

Megan Fox and Bruce Willis are at very different stages of their careers, but they’ve both become regulars on the VOD circuit over the years, so it was almost inevitable that their paths would eventually cross. While the fallen A-lister has taken to showing up in more and more B-tier thrillers midnight in switchgrass Marking its sixth credits in the past fourteen months, Fox is enjoying some resurgence.

Unreasonably ostracized from the mainstream, the actress took a break from the public eye and didn’t lend her name to anything for three years. Teenage Mutant Ninja Turtles: Out of the Shadows was released in 2016. Fox is re-establishing its reputation in the eyes of both the public and its peers, but unfortunately midnight in switchgrass A step back.

It’s a shame, in fact, when she has shown a surprising amount of range in her recent output, whether playing an action hero. Amazingly Entertaining Action Thriller Wicked, Or Arguably giving career best performance ’till death, which saw him as a disillusioned wife who handcuffs her husband’s dead body before a secret is revealed. That movie was released only three weeks ago, but midnight in switchgrass Much closer to Willis’s recent output than Fox.


However, don’t be fooled by the marketing you’ll believe die Hard The legend plays a major supporting role. He’s only in a few scenes, and then suddenly f*cks off without any explanation for most of the running time, all the while failing to pull off any other facial expression than his usually bored face. There are waxworks of his own that make you think he may have been replaced without anyone noticing, such is the energy he brings to the table.

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He probably only took the gig at the side of director Randall Emmett, who gets his start behind the camera after spending the bulk of his career as a prolific producer of star-driven low-budget fare. both have collaborated King, vice president, extraction, valuable cargo, rioters, first kill, act of retaliation, trauma center and survive the night, And midnight in switchgrass Virtually indistinguishable from all of them.

The premise certainly has potential, even if it ticks almost every cliched box you’d expect from a crime thriller procedural. Ambitious and determined agent partnered with an eccentric veteran? Check. The serial killer who presents himself to the outside world as a hardworking family man? Check. The local cop who walks away from the investigation but moves on and acts anyway? Check. An undercover sting operation gone wrong? Our heroine is getting caught by the killer? A race against time before becoming the next victim? what you say, midnight in switchgrass have got it.


Fox’s mouthwatering and beer-drinking Rebecca Lombardi is at least a different kind of FBI archetype, but what’s around her is just as cramped as it should be. Lombardi and Willis’ Carl Helter are closing in on a child sex trafficking ring, but their investigation crosses the path of a notorious local serial killer who is pursued over the years by Emile Hirsch’s Byron Crawford. The above sting sees Lombardi taken hostage, and Crawford is the only one who can save her as he cobbles together various clues and breadcrumb trails to uncover his location in wonderfully convenient fashion.

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If you read that synopsis, you can guess exactly where midnight in switchgrass Running from the very first scene. There was opportunity for some interesting sub-text regarding Lombardi’s circumstances, potentially forcing him to decide between receiving some degree of vengeance through his job, or simply making him feel overwhelmed and consumed by his occupation. Dena is changing her entire worldview. Instead, the story pivots into action thriller territory in the third act, throwing all sense of subtlety or extra dimensions out the window in favor of the cat-and-mouse shtick we’ve seen a thousand times before, and much better. .

Fox does her best to establish her character as a badass, including the best scene in the film, when she exchanges physical and verbal barbs with Machine Gun Kelly’s low-level pimp, But it falls back to the formula grind immediately afterwards. No trace of originality or invention is found anywhere in the DNA of midnight in switchgrass, but the performances of Fox, Hirsch, and Lukas Haas as the unnecessarily creepy and very murderous Peter deserve better material. That being said, it’s exactly what you’d expect from a modern-day Bruce Willis effort, even if he’s not into it at all.

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