Review: Space Jam: A New Legacy Is Not The Movie You Wanted It To

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Review: Space Jam: A New Legacy Is Not The Movie You Wanted It To

Nostalgia is a powerful weapon these days and on the surface Space Jam: A New Legacy It seems ideally poised to play it better than probably any film in recent memory. It’s the sequel to a beloved family film that hit theaters 25 summers ago, and is enjoying lasting popularity among a certain generation of audiences, even if it’s nowhere near what you think.

On top of that, it’s a charming and heavy-impact family film, with plenty of engaging visuals to attract a younger demographic, many of which parents will be excited to see a new one. space Jam Just like he is. Throw in the presence of one of the most recognizably marketable athletes on the planet, LeBron James, and it’s easy to see how those three boxes could be picked out that might combine for one big, fun summer blockbuster. the only problem is that a new legacy It’s terrible.

Given the frequent comparisons between James and his space Jam The predecessors who have been rumbling in the background of sports discourse for nearly two decades, you might have thought that the film’s subtitle would be referring to the leading man who follows His Airness as the latest multi-time MVP and championship. Bugs Bunny to win a basketball game with the fate of the universe and the winner to team up with the rest of Looney Tunes. Unfortunately, and a little more terrifyingly, the only legacy on display is that of Warner Bros.

Although it doesn’t start out that way, the family angle of the narrative wears off almost immediately. You see, King James encourages his son to follow in his tough footsteps to play ball, but young Dom wants to continue developing his own video game and leave basketball camp for E3 gaming camp. . His old man is not happy about this, and in conversation with his wife does not understand why he wants to follow his dreams instead of being pushed in the completely opposite direction by his father. It’s a weird way of setting the main family dynamic at the center of the story, and no one bothered to tell Dom that the game he’s saving his future in is too much. nba jam, the arcade favorite that first came out in 1993.

From there, we move on to Warner Bros., where Steven Yeun and Sarah Silverman show up for five minutes and a paycheck as Warner Bros. executives, pitching LeBron with an algorithm that lets him make his choice. of any Warner Bros. property, thanks to a sensitive AI and a new virtual world known as Warner Bros. Serververse. You may have noticed the repeated use of the name of the studio in that previous sentence, which is actually the essence of Space Jam: A New Legacy. It wouldn’t be too harsh to call it a marketing exercise designed to brainwash audiences for HBO Max subscriptions, and maybe even fairer to call it a WB circle jerk.

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James turns down the offer, but his tech-savvy son is nonetheless scouted by Al G. Rhythm in Serververse, and the villain’s name is just about the smartest piece of writing. a new legacy has to offer. It’s an exhibition-heavy role that could have been a chore in the wrong hands, so it’s time to praise Don Cheadle, the most persistent and relatably entertaining thing about the whole effort. Anyone can come across to play a character with a stupid name, who wears stupid clothes and goes through the motions, and it’s lucky that Cheadle played almost all of his scenes against a green screen. filmed, otherwise he would have eaten up the whole scene. He keeps his back as hummy and over-the-top as humanly possible, and deserves credit for that.

As far as James is concerned, he’s a much better actor than Michael Jordan, but it’s no big deal. However, she is kind of happy to make fun of herself in the documentary last Dance It made it abundantly clear that Jordan would never allow that, and he has enough natural charisma to grab your attention as he moves through the entire emotional spectrum with the range from A to almost B.

The plot, whatever matters, sees Looney Tunes scattered throughout the serververse, for no other reason than it allows. a new legacy To visit some of the biggest properties in the Warner Bros. catalogue, there’s absolutely no logic behind it. This is a movie clearly designed for kids, so naturally we pitch in R-rated mad max fury road, math question and of 1942 casablancawhich all children love. The DC Universe is at least somewhat understandable, even if the animated Justice League appears for a second, and Lola Bunny’s Themysira-set sequence with Wonder Woman goes against everything when she turns her back on. So both characters stand up to completing their Amazonian trials to save two men who come from nowhere, ask for help and then need rescue.

Admittedly, the extended and climactic basketball sequence is suitably entertaining in parts and features enough dazzling CGI and eye-popping visuals to provide a distraction, but Warner Bros. has a background full of characters, from rapists to murdered druggists. is. A Clockwork Orange To itoPennywise, the inter-dimensional clown eating babies through the sexually-repressed nuns of Ken Russell’s 1971 attempt Devil and Night King. from game of Thrones You have to wonder what these cameos are really for, or what they’re going to achieve.

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It’s like someone decided to make a two-hour, $160 million ad for the Warner Bros. back catalog, only to get dumped in a messy way. space Jam Somewhere in the middle sequel. It’s hollow, mild, and cynical, which is even more infuriating when you consider that the studio has already delivered almost the exact same premise. the LEGO movie and Steven Spielberg ready player one, except on those occasions it worked because the IP served the story, not the other way around.

Looney Tunes are nothing more than travelers who don’t really get a chance to indulge in some grace notes at their timeless brand of chaotic comedy bars, and they exist only as a tool to remind you that Warner Bros. is near. A deep bench of brands and properties at their disposal. The concept is ripe for cutting out sarcasm about how super-serving ingredients can often be detrimental to art and creativity, but instead Space Jam: A New Legacy A succinct and all-too-joyful hybrid of sports comedy and family drama that doubles as great product placement on the largest possible scale.

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